Showing posts with label Michael Berryman. Show all posts
Showing posts with label Michael Berryman. Show all posts

Sunday, 18 March 2018

Movie Review - Hell's Kitty

Hell's Kitty

2018



The Cast







After watching the dreadful Hellraiser films (the sequels after the original four movies), this little B-Movie Horror Comedy was a real breath of fresh air... and much needed.

This story centres around one cat (Angel) and her all-encompassing love for her owner, Nick (Tana)...  Her affection knows no bounds so pitty any woman foolish enough to get close to him;  Cat scratches and severed arterial veins go hand in hand in the Tana house.  Then one night, Nick is awoken by loud metal music.  Stumbling through his apartment half asleep in search of the commotion he comes across a mirror with a pentagram drawn in blood and his kitty eating her treats... also in the shape of a pentagram...  Nick begins to question himself... Is Angel possessed?

This is a very witty comedy filled with well written comedic dialogue and situations.  However, the best thing by far is the homage to '80's horror films.  Nearly every actor in the film has been in a horror flick or two.  I particularly liked seeing Isaiah (Franklin) and Mordicia (Gains) once again.  For comedy writers, this is how you use the word "Pussy" in dialogue, in a humorous situation, and get the audience to laugh.  I even liked the fact that there was corn, for them to run through, in the apartment too - brilliant.  Was it also coincidence that I watched this film on the same night as the next chapter in the  Children of the Corn flicks... or could it be I'm following him behind the rows...

So this is definitely a film for '80's horror fans.  You should feel right at home, as I did (with a big stupid grin on my face), when Michael Berryman makes an appearance as Detective Pluto (yeah, Pluto).

However, it wasn't just the nod to the oldies but Tana is also quite a good director.  He used colours and lighting perfectly as well as throwing in some interesting camera angles to create mood and tension.  I was so into the film that I didn't notice he changed to black and white for the shower scene.  Once I did I knew what was coming... can you screech, "Ree, Ree, Ree,"  I have to give respect to Tana at this point because, until this moment he'd only used know actors for the comedy and to create a sense of nostalgia, now he was going to use the most iconic scene in movie history for a laugh... but he doesn't.  Sure there's comedy in the outcome of the scene but it actually adds relative elements to the story; it wasn't to get a cheap laugh.

As for the acting, it's hit and miss.  This could be down to the direction, though I think it's more down to honed skills.  The "Stella" cast is pretty much perfect whereas it's the newbies who seem a little off.  Though I do have to give a round of applause to Adam Rucho, who plays Adam, as there are some very good dramatic sections in his portrayal making his character realistic and believable.  And even though Lisa Young, comes across as a little hammy I have to say this lady really can stare... scary.

The thing which lets the film down the most is the special effects, especially the "Cat-Fights" which just look silly... especially the fight between Angel and the Killer Klown (...From Outer Space); but hey that film was silly so, what-the-hey!  That said, when Rosemary Carrie (Midkiff) gets dragged to hell they don't look too bad.

All in all, this isn't a brilliant movie but it is funny, interesting, and a great tribute to a lot of the films of my youth and for that alone, I'd recommend all horror fans to check it out.  I hope that Tana will keep on making movies and writing as this is what the horror genre needs at the moment.  I can see from this film that he'd probably make a horror flick worth watching or a horror story worth reading.

I give this Possessed Pussy (had to do it) a Killer Love Scratch of 7 out of 10.

The Trailer





Wednesday, 17 May 2017

Movie Review - The Evil Within

The Evil Within

2017


Supernova LLC / The Writers Studio : Vision Films


7.5 / 10


The Evil Within Poster

This is a special movie, not just because it's a brilliant and original horror movie, but because of the story behind the making of the film.

The writer and director Andrew Getty started this film back in 2002 when it was titled "The Storyteller" and was released in 2017 under the current title, two years after Getty's death due to an ulcer causing internal bleeding.  This is a shame as he spent so much money on the project and wasn't around to see his creation brought to life... or take credit for it.

The story is about a mentally handicapped man, Dennis (expertly portrayed by Frederick Koehler), living in his brother's, John (Sean Patrick Flannery), care.  Dennis is plagued by twisted and dark nightmares for which a tall grey man claims responsibility.  Then one day John and his girlfriend, Lydia (Dina Meyer) bring home a mirror for Dennis' bedroom.  Dennis hates the mirror as he doesn't want to loose his hamsters like he's lost his comic collection.  However, his decision changes when his reflection starts talking to him and offers him a way to get better... to get smarter...

It was the trailer that had me salivating at the thought of watching the film.  However, be aware the movie isn't how it looks on the trailer.  Instead of an exciting run-of-the-mill horror what Getty gives his audience is a deep and powerful insight into the human psyche and not just through Dennis, but all of the other characters have some kind of dysfunction.  John is hiding a secret.  Lydia has relationship issues.  Even Pete (Tim Bagley) - who is only in the film a few minutes - hates people touching him and invading his person space.

The film can even be taken a couple of ways.  It could be a very dark psychological thriller or it could be a supernatural entity possession, making it a horror.  It works in either genre.

The star of the show is Frederick Koehler as Dennis.  He is brilliant at portraying the character, giving him facial ticks, body form, hand gestures, and a speech impediment.  His acting is really believable and draws the audience into the film more.  However, it's Flannery's and Meyer's characters that appear flat at times, a little too dimensional and wooden; I think this may be the characters they were playing or the direction at the time of the scenes, as both of them are good actors.  It just jars the mood and atmosphere at times and this is a bad thing as the movie depends on mood and atmosphere, which Getty builds beautifully.  It's also great to see Michael Berryman again.

This film reminds me of Phantasm in its essence and spirit, and like Phantasm I will gladly watch this film again... and again... and, probably, again...  There are a lot of interesting and well thought out concepts in this story, which should send a chill down your spine.  However, if you prefer shock horror over creepy and atmospheric then this probably won't be your cup of tea.