Edgar Allan Poe's "Lighthouse Keeper" (2016)
Thunder Entertainment / Millman Productions
8.5 / 10
To all of the people involved in this movie, which if you waited to the credits isn't very many, thank you, Thank You, THANK YOU, for making such a beautiful movie.
This has to be the most visually beautiful horror movie I have ever seen and it was a joy and a pleasure to watch. I cannot tell how close to Poe's original story it kept to, though it has given me an incentive to root out my copy of Poe's tales and have a read, which is a marvellous bonus.
The story is set somewhere between the 1930's and the 1960's and the sets have been expertly set to give you the exact right feel. There's hardly any knick knacks in the lighthouse, as these times were a less clutter-some place. The only tech in the house is a gramophone; the lights are candles and oil burners; the stove is an iron wood burner; even the spices in the rack are in tins. This alone is a nice touch; right down to the costumes.
The story is a slow burner which starts out as a smouldering ember and works into an all out forest fire. There are three major characters; The Lighthouse Keeper, Walsh, portrayed brilliantly by veteran actor Vernon Wells. giving a believable performance as a man who, though not happy to be alone, has adapted to the solitude of being by himself, making him gruff, argumentative, and self-righteous. J. P. played nicely by Matt O'Neill, is the sole survivor of a storm washed up on the Lighthouse's beach. While waiting for the ferry to take him off the island strange things occur to him, he hears voices, bumps into a strange and mysterious woman, and wonders why the candles have to remain lit. Rachel Riley gives a good performance as Nora, the mysterious woman who lives in the woods on the island and fall in love with J. P., though she may have something to do with the lighthouse keeper.
Benjamin Cooper does a fantastic job of unravelling the dark secrets of the characters; and though their secrets are very very dark Cooper makes a bold decision to shoot the majority of the movie in glorious daylight. The scenery is so colourful and attractive I wanted to become the lighthouse keeper. The camera shots are artistic and engaging. I loved the fact that you could also see everything in the night shots; there was either moonlight or candlelight, which added to the great depth of the filmography (something you don't usually rate in a horror movie). There were a couple of scene's that were jarred and disjointed, but I can forgive that because all the rest are so well done.
If you like ghost stories filled with mysteries and a few twists then I would recommend this. When the movie started I thought I wouldn't like it, the rain in the storm was fake and it was a period piece. Though, as the film progressed I became impressed with everything about the story and movie, to the point where this is now one of my favourite horror films.
Benjamin Cooper does a fantastic job of unravelling the dark secrets of the characters; and though their secrets are very very dark Cooper makes a bold decision to shoot the majority of the movie in glorious daylight. The scenery is so colourful and attractive I wanted to become the lighthouse keeper. The camera shots are artistic and engaging. I loved the fact that you could also see everything in the night shots; there was either moonlight or candlelight, which added to the great depth of the filmography (something you don't usually rate in a horror movie). There were a couple of scene's that were jarred and disjointed, but I can forgive that because all the rest are so well done.
If you like ghost stories filled with mysteries and a few twists then I would recommend this. When the movie started I thought I wouldn't like it, the rain in the storm was fake and it was a period piece. Though, as the film progressed I became impressed with everything about the story and movie, to the point where this is now one of my favourite horror films.
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